New website HERE
Saturday, June 06, 2015
Wednesday, April 08, 2015
It's been a while since I've been here. Traffic fell off dramatically as people began to shift to Facebook, Tumblr, Twitter,and Instagram (all of which you can find me on by the way). Anyway, I decided to update here as well, but first I need to catch up on what's been going on. I've been working on VELVET with Ed Brubaker. It's a spy story set in the 70s with a middle aged female lead. The tone is somewhere between James Bond and John LeCarre. Here are the covers of the the first 5 issues, which make up the initial story arc:
Saturday, July 13, 2013
Wednesday, March 20, 2013
Wednesday, February 06, 2013
JONATHAN HICKMAN (W) • STEVE EPTING (A)
Cover by JOCK
Variant Cover by DALE KEOWN
• The Illuminati experience their first incursion since reforming.
• Can the loose brotherhood of end times trust each other enough to use the Infinity Gems in unison?
• And a new member joins the Illuminati!
Also - Black Swan eats french fries.
Wednesday, January 16, 2013
Today, a mere two weeks after issue one was released, NEW AVENGERS #2 hits the stands. The Illuminati gather to plan for the death of everything. Infinity gems, old wounds, lies, agendas and universal incursions are all on the agenda! By Jonathan Hickman, Me, Rick Magyar, and Frank D'Armata. Cover by Jock.
Monday, January 14, 2013
Wednesday, January 02, 2013
Monday, December 03, 2012
Tuesday, November 06, 2012
Wednesday, October 31, 2012
Wednesday, October 24, 2012
A few reviews have started turning up:
Here's another one
and yet another.
Thursday, May 17, 2012
From Marvel's August 2012 solicitations:
WINTER SOLDIER #9
ED BRUBAKER (w) • MICHAEL LARK (a)
Cover by STEVE EPTING
• Black Widow’s past has caught up to her! Can Bucky save her? And what happens if he can’t?
32 PGS./Rated T+ …$2.99
This was done much the same way as the cover for issue #8. Primarily standard colored line art but with some areas painted on top. And if you're thinking that the guy on the cover doesn't look like Bucky, you are correct. It's not Bucky.
Friday, May 11, 2012
|Sleeping Girl by Roy Lichtenstein|
You may have heard about Roy Lichtenstein's painting Sleeping Girl fetching $44.8 million in a Sotheby's auction this week. I always find news about Lichtenstein's art interesting, not only because I am primarily a comic book artist, but also because I have the distinction of being one of the comic book artists that he swiped.
If you've ever taken an art history class (and probably even if you haven't) you most likely know the work of Roy Lichtenstein. He was one of a number of artists who rose to fame during the 60's pop art movement. As his Wikipedia entry says - "Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist... his work was heavily influenced by both popular advertising and the comic book style".
Lichtenstein's most famous paintings were based on comic book panels drawn by such giants as Jack Kirby, John Romita Sr., Russ Heath, and many others, almost always without attribution. Though these pieces were not exact copies, they were undeniably based specifically on work that other artists had created. This practice made him a highly controversial figure among the fine art world as well as comic book fandom. Lichtenstein had pretty much given up copying comic book panels by the time the 60s had come to end, though later in his career he did return to the practice somewhat by incorporating comic panels into larger works.
This brings us 1994 and a piece by Lichtenstein called Large Interior With Three Reflections. Lichtenstein used an image from an issue of The Avengers that I drew early in my career and incorporated it into part of the large mural. Let's start with his original preliminary sketch for that portion of the image:
... and here's a detail of the panel from Avengers #358 (January 1993) from which it was taken (penciled by me and inked by Tom Palmer):
Notice that the headpiece does not appear in the sketch. Lichtenstein also made other changes to the source material as he progressed to the drawing stage, most notably the direction of the strands of hair:
Up to this point I think it could have been debatable whether my image was the inspiration for that section of the mural, but in the finished painting the headpiece is back in place, leaving little doubt:
More on the creation of this piece, including the confirmation of my Avengers art as the source material (for that small portion of it) can be found HERE.
This was all brought to my attention originally by David Barsalou, who has an ongoing project identifying the source material for all of Lichtenstein's pieces. The comparison image below is from Barsalou's Flickr photostream.
In school when I was studying Lichtenstein in Art History classes, I could have never dreamed that in a few short years he would actually be swiping some of my art. The whole thing is surreal to me and I'm not even really sure how I feel about it, but I've got to admit that part of me enjoys the notoriety of being able to say I was one of Lichtenstein's "victims". Would I be more outraged if the entire piece consisted of a single panel based on my work (like Sleeping Girl) and he had made millions from it? Probably.
The issue of how Lichtenstein produced his art and the money he made by appropriating the work of other artists without credit or compensation can become complex when looked at from various points of view - or, it can be as simple as black and white. I'll leave it for others to sort out.
Wednesday, May 09, 2012
This cover is a departure from my usual painted covers, in that it is primarily a traditional ink drawing that I colored in Photoshop (as opposed to using it as the basis for a painting). There are a few places where I did paint over the black and white art, but not many. I'll be doing a bit more of this on future Winter Soldier covers, and possibly elsewhere as well.
As you can see in the line art below I forgot to draw Black Widow's belt, so I added it in while coloring.
Monday, May 07, 2012
I had a great time at the Boston Comic Con a couple of weekends back. Thanks to everyone who came by! I only have a few pics of some of the sketches I did at the show and unfortunately they were all taken with a crappy phone camera. Better than nothing I suppose!